KOMODO-X

The RED KOMODO-X is the next evolution in the KOMODO family, designed to bridge the gap between the original KOMODO's compact form factor and the professional workflow requirements of the DSMC3 line. It features a redesigned 6K S35 Global Shutter sensor that doubles the frame rates of its predecessor, offering 6K 80P and 4K 120P, making it a formidable tool for high-end cinematography, virtual production, and live broadcast environments.

Beyond the sensor, the KOMODO-X introduces significant architectural improvements, including an integrated micro V-Lock battery mount, a reinforced locking RF lens mount, and robust I/O options like 12G-SDI and phantom-powered audio. The camera is built for IP-based workflows, supporting remote control via RED Control, FTPS data offloading, and the RED Connect license for live 6K streaming over IP.

This camera is ideal for cinematographers and content creators who need a small, lightweight body that doesn't compromise on professional features. Whether you are shooting narrative projects, run-and-gun documentaries, or complex multi-camera LED volume productions, the KOMODO-X provides the flexibility of R3D RAW recording and the reliability of a global shutter sensor.

Narrative Filmmaking

Use R3D format at 6K 17:9 resolution to maximize dynamic range and sensor coverage. Set ISO to 800 (default) and use a 180° shutter angle for natural motion blur. Record in R3D MQ or HQ quality to ensure high-fidelity data for post-production grading.

Documentary / Run-and-Gun

Use ProRes 422 HQ for a balance of quality and manageable file sizes. Enable Pre-Record (up to 30 seconds) to ensure you never miss unexpected events. Use the internal microphones or a 5-Pin to XLR adapter for reliable audio capture.

Interview & Talking Head

Set the project time base to 23.98 or 24 FPS. Use a 3D LUT for on-set monitoring to give the client a finished look while recording in Log3G10 for maximum flexibility in the edit. Ensure the camera is calibrated for the specific ambient temperature of the interview space.

Slow Motion

Switch to 4K 17:9 or 2K 17:9 to achieve up to 120fps or 240fps respectively. Note that audio sync is not guaranteed when shooting varispeed, so record scratch audio or external audio separately.

Overheating

What's happening: The camera may shut down or display overheating warnings. Why: Inadequate airflow or prolonged recording in high-temperature environments. Fix: Ensure the air intake and exhaust vents are unobstructed. If the camera reaches the temperature threshold, it will initiate a shutdown. Prevention: Avoid operating in direct sunlight or near heat sources. Use the camera within the 32° F to 104° F operating range.

Media Card Errors

What's happening: The camera reports media-related errors or fails to mount the card. Why: File system corruption or improper ejection. Fix: Perform a 'Secure Format' in the Media menu. This rebuilds the file system. Prevention: Always eject (unmount) the media card through the camera menu before physical removal.

SDI Connection Damage

What's happening: The SDI port may incur damage. Why: Connecting or disconnecting SDI cables while the camera or accessory is powered, or using unshielded cables. Fix: If the port is damaged, submit a support ticket to RED. Prevention: Always connect the power source to the SDI accessory before connecting the BNC cable. Remove the BNC cable before disconnecting power.

Firmware Update Failure

What's happening: The firmware update process fails or hangs. Why: Corrupt firmware file or improper card preparation. Fix: Ensure the 'upgrade' folder is at the root level of the media card. Try a different, freshly formatted card. Prevention: Always download the firmware directly from the official RED website and verify the file structure before copying to the card.