Camera faceoff

ALEXA Mini LF vs KOMODO-X

ARRI · RED

Specs at a glance

Spec

Summary

Choose the ARRI ALEXA Mini LF for top-tier narrative productions demanding the ultimate cinematic image and robust build. Opt for the RED KOMODO-X when a compact form factor, global shutter, and high frame rates are paramount for versatile, fast-paced shoots.

Which would you pick?

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Highlights

ALEXA Mini LF

Sensor & Image Science: Large-format ARRI ALEV 3 A2X sensor with 14+ stops of dynamic range for renowned cinematic image quality and natural skin tones.
Codecs & Formats: Native ARRIRAW recording for maximum post-production flexibility and image fidelity.
I/O & Connectivity: Dual 12G-SDI outputs, comprehensive professional audio inputs, and LBUS for robust accessory integration.
Rigging & Ergonomics: Extremely robust construction designed for demanding high-end film and television productions.
Tools & Usability: Built-in motorized FSND filters (0.6, 1.2, 1.8) for rapid exposure control on set.

KOMODO-X

Sensor & Image Science: 6K S35 Global Shutter CMOS sensor with 16.5+ stops of dynamic range, eliminating rolling shutter artifacts entirely.
Codecs & Formats: REDCODE RAW up to 6K 80fps, 4K 120fps, and 2K 240fps for high-speed capture without aggressive crop.
I/O & Connectivity: Single 12G-SDI output, Genlock, and Timecode for streamlined multi-camera setups.
Rigging & Ergonomics: Exceptionally compact and lightweight (1188g) with an integrated locking RF mount for versatile rigging.
Tools & Usability: Phase-detect autofocus for reliable subject tracking in dynamic shooting scenarios.

The trade-off

Choosing the ARRI ALEXA Mini LF means giving up the compact size, global shutter, and extreme high frame rates of the KOMODO-X. Choosing the RED KOMODO-X means giving up the ARRI large-format sensor's renowned image science, built-in NDs, and extensive professional I/O.