Camera faceoff

KOMODO-X vs URSA Mini Pro 12K

RED · Blackmagic Design

Specs at a glance

Spec

Summary

For productions demanding a compact form factor, reliable autofocus, and the unique advantage of a global shutter, the RED KOMODO-X is the clear choice. Its 16.5+ stops of dynamic range and phase-detect AF make it ideal for fast-paced, unpredictable environments. However, if ultimate resolution, flexible lens mounts, and built-in ND filters are paramount for your controlled, high-end cinematic work, the URSA Mini Pro 12K with its 12K Super 35 sensor is the superior option.

Which would you pick?

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Highlights

KOMODO-X

Sensor & Image Science: 6K S35 Global Shutter CMOS eliminates rolling shutter artifacts.
Dynamic Range: Class-leading 16.5+ stops for exceptional highlight and shadow recovery.
Autofocus: Integrated phase-detect autofocus provides reliable subject tracking.
Form Factor: Extremely compact and lightweight at 1188g for versatile rigging.
Lens Mount: Locking RED RF mount ensures secure lens attachment and adaptability.

URSA Mini Pro 12K

Resolution: Revolutionary 12K Super 35 CMOS sensor captures immense detail (12288 x 6480).
Internal NDs: Built-in ND filters for quick exposure control without external matte boxes.
Lens Mount Versatility: Interchangeable lens mount system (PL, EF, B4, F) for broad lens compatibility.
High Frame Rates: Impressive 4K DCI up to 240 fps for extreme slow motion.
Codec Integration: Deep integration with Blackmagic RAW for efficient post-production in Resolve.

The trade-off

Choosing the KOMODO-X means sacrificing internal ND filters and the flexibility of interchangeable lens mounts. Choosing the URSA Mini Pro 12K means giving up global shutter, phase-detect autofocus, and 2.5+ stops of dynamic range.