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Sony Burano product photo
Sony VENICE 2 product photo

Camera faceoff

Burano vs VENICE 2

Sony

Specs at a glance

Category
cinema
cinema
Sensor
Full-Frame CMOS
Full-Frame CMOS
Sensor Size
35.9 x 24 mm
36.2 x 24.1 mm
Megapixels
41.9
49.76
Mount
Interchangeable Mount
Sony E
Max Resolution
6K (8632x4856)
6K (8640x5760)
Max Frame Rate
120fps @ 4K DCI
90fps @ 5K
Codec
XAVC
ProRes
Dynamic Range
16 Stops
16 Stops
ISO Range
ISO 3–3200
ISO 200–12800
ND Filter
2–7 stop (variable)
1–8 stop (8-position wheel)
Stabilization
Sensor-Shift, 5-Axis
Autofocus
Phase-detect, 627 points
Log / Gamma
Sony S-Log 3
Battery
V-Mount
Weight
2400g
4300g
MSRP
$25,000

Summary

For filmmakers prioritizing agility, built-in stabilization, and reliable autofocus in a full-frame cinema package, the Sony Burano is the clear choice, offering 5-axis IBIS and 627-point phase-detect AF. However, for the pinnacle of cinematic image quality and robust production workflows on larger sets, the VENICE 2, with its optional 8.6K sensor and industry-standard ProRes recording, is still unmatched.

Which would you pick?

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Highlights

Burano

  • Stabilization: Sensor-Shift, 5-Axis IBIS provides crucial stability for handheld and dynamic shots.
  • Autofocus: Phase-detect, 627 points delivers reliable and fast subject tracking.
  • ND Filter: Built-in 2–7 stop variable ND filter allows seamless exposure adjustments on the fly.
  • Ergonomics: Lighter 2.4kg body and compact dimensions (145.7 x 142.5 x 218.1 mm) for agile operation.
  • Mount: Interchangeable PL/E-mount system offers broad lens compatibility.

VENICE 2

  • Image Quality: Optional 8.6K sensor delivers unparalleled resolution and detail for large format productions.
  • ND Filter: Precise 1–8 stop 8-position wheel ND filter for fine exposure control.
  • Connectivity: More robust I/O with 4x 12G-SDI outputs for complex monitoring setups.
  • Codec: Internal ProRes recording streamlines post-production workflows.
  • Dynamic Range: 16 Stops of dynamic range captures extensive detail in highlights and shadows.

The trade-off

Choosing the Burano means giving up the ultimate 8.6K resolution option and the extensive I/O of the VENICE 2. Choosing the VENICE 2 means giving up built-in IBIS, reliable autofocus, and the convenience of a variable ND filter.

Best for…

Documentary / run-and-gun

Burano

IBIS, AF, and variable ND for unpredictable environments.

Narrative / high-end cinema

VENICE 2

8.6K sensor option and robust I/O for controlled sets.

Solo operator / small crew

Burano

lighter 2.4kg body with integrated stabilization and AF.

Virtual Production / VFX

VENICE 2

higher resolution sensor and established workflow for demanding VFX.

What to pair it with

Burano

  • SmallRig Burano Cage (SmallRig) — adds mounting points and protection for accessories.
  • Tilta Nucleus-M (Tilta) — wireless follow focus for precise manual focus control.
  • IDX DUO-C98 V-Mount Battery (IDX) — compact, high-capacity power for extended shoots.
  • Sony FE 24-70mm f/2.8 GM II (Sony) — versatile zoom for run-and-gun with AF.

VENICE 2

  • ARRI LMB 4x5 Matte Box (ARRI) — professional filter solution for precise light control.
  • OConnor 2575D Fluid Head (OConnor) — industry-standard support for heavy cinema builds.
  • Teradek Bolt 6 LT 750 (Teradek) — reliable wireless video transmission for client monitors.
  • Cooke S7/i Full Frame Primes (Cooke) — premium lenses for cinematic full-frame look.

Updated 3/6/2026