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ARRI ALEXA Mini LF product photo
Sony VENICE 2 product photo

Camera faceoff

ALEXA Mini LF vs VENICE 2

ARRI · Sony

Specs at a glance

Category
cinema
cinema
Sensor
ARRI Large Format CMOS
Full-Frame CMOS
Sensor Size
36.7 x 25.54 mm
36.2 x 24.1 mm
Megapixels
0
49.76
Mount
Interchangeable Mount
Sony E
Max Resolution
4K UHD (4448x3096)
6K (8640x5760)
Max Frame Rate
100fps @ 1080p
90fps @ 5K
Codec
ProRes
ProRes
Dynamic Range
14 Stops
16 Stops
ISO Range
ISO 160–3200
ISO 200–12800
ND Filter
2–6 stop (3-position wheel)
1–8 stop (8-position wheel)
Stabilization
No
Autofocus
No
Log / Gamma
ARRI Log C, Rec709, Rec2020
Battery
10.5-34 V DC
Weight
2600g
4300g
MSRP
$58,760

Summary

For productions prioritizing the iconic ARRI image science and robust, trusted workflow, the ALEXA Mini LF remains the gold standard. However, if maximum resolution up to 6K (8640x5760) and an unparalleled 16 stops of dynamic range are paramount, the Sony VENICE 2 is the clear choice. The VENICE 2 offers a more technically advanced image, while the Mini LF provides a more established, filmic aesthetic.

Which would you pick?

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Highlights

ALEXA Mini LF

  • Image Science: ARRI Large Format CMOS sensor, renowned for natural skin tones and filmic look.
  • Dynamic Range: 14 Stops of dynamic range, providing excellent highlight retention and shadow detail.
  • Workflow: ProRes codec, seamlessly integrates into post-production pipelines.
  • Built-in ND: 2–6 stop (3-position wheel) internal ND filters for quick exposure control.
  • Mount: Interchangeable Mount system offers unparalleled lens flexibility.

VENICE 2

  • Resolution: Max 6K (8640x5760) resolution, offering immense detail and reframing flexibility.
  • Dynamic Range: 16 Stops of dynamic range, pushing boundaries for extreme contrast scenes.
  • ISO Performance: Dual base ISO 200–12800, excelling in low-light environments.
  • Built-in ND: 1–8 stop (8-position wheel) internal ND filters, offering finer control than Mini LF.
  • Ports: 4x 12G-SDI outputs for robust monitoring and external recording.

The trade-off

Choosing the ARRI ALEXA Mini LF means sacrificing the VENICE 2's 6K (8640x5760) resolution and 16 stops of dynamic range. Choosing the Sony VENICE 2 means giving up the ARRI look and the Mini LF's interchangeable lens mount system.

Best for…

High-end Feature Film

ARRI ALEXA Mini LF

classic cinematic look and robust, trusted workflow.

VFX-heavy Production

Sony VENICE 2

6K resolution provides ample data for post-production manipulation.

Low-light Cinematography

Sony VENICE 2

dual base ISO 200–12800 excels in challenging lighting.

Commercials / Brand Films

ARRI ALEXA Mini LF

delivers premium, consistent image quality for demanding clients.

Episodic Television

ARRI ALEXA Mini LF

reliable, durable, and produces beautiful images in varied conditions.

What to pair it with

VENICE 2

  • DVF-EL200 Viewfinder (Sony) — high-resolution OLED viewfinder for precise monitoring.
  • AXS-A1TS48 AXS Memory Card (Sony) — high-capacity, high-speed media for 6K recording.
  • Wooden Camera VENICE 2 Cage (Wooden Camera) — modular cage system for robust accessory mounting.
  • Sony E-Mount to PL Adapter (Metabones) — adapts professional PL lenses to the native E-mount.

Updated 3/6/2026