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Camera faceoff

KOMODO 6K vs FX6

RED · Sony

Specs at a glance

Spec
FX6
Category
cinema
cinema
Sensor
Super35 CMOS
Full-Frame CMOS
Sensor Size
27.03 x 14.26 mm
35.6 x 23.8 mm
Megapixels
19.9
10.2
Mount
Canon RF
Sony E
Max Resolution
6K (6144x3240)
4K DCI (4096x2160)
Max Frame Rate
120fps @ 1080p
240fps @ 1080p
Codec
ProRes
XAVC
Dynamic Range
16 Stops
15 Stops
ISO Range
ISO 250–12800
ISO 3–409600
ND Filter
No
2–7 stop (variable)
Stabilization
Electronic Image Stabilization (EIS)
Supplies Stabilization Metadata
Autofocus
Phase-detect autofocus
Phase-detect, 627 points
Log / Gamma
DCI-P3, Rec709, Rec2020, REDWideGamutRGB
HDR-HLG, Rec709, S Cinetone, Sony S-Log 3, Standard
Battery
Canon BP-9 Series
Sony BP-U Series
Weight
1000g
890g
MSRP
$5,995
$5,999

Summary

For productions demanding pristine motion and VFX-ready footage, the RED KOMODO 6K's global shutter and REDCODE RAW are unmatched. However, for dynamic run-and-gun scenarios where low light and quick exposure changes are paramount, the Sony FX6's full-frame sensor and built-in variable ND are the clear winner.

Which would you pick?

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Highlights

KOMODO 6K

  • Sensor & Image Science: Super35 Global Shutter CMOS sensor eliminates rolling shutter artifacts for clean motion.
  • Codec & Workflow: Records in REDCODE RAW and Apple ProRes for maximum post-production flexibility.
  • Dynamic Range: Offers 16 stops of dynamic range for rich highlight and shadow detail.
  • Form Factor: Ultra-compact 102 x 102 x 102 mm cube design for versatile rigging.

FX6

  • Sensor & Image Science: Full-Frame 10.2MP CMOS sensor excels in low light with ISO up to 409600.
  • Exposure Control: Built-in 2-7 stop electronic variable ND filter for seamless exposure adjustments.
  • Autofocus: Reliable Phase-detect autofocus with 627 points for tracking subjects.
  • Ergonomics & Audio: Integrated top handle with 2x XLR inputs for professional audio.

The trade-off

Choosing the RED KOMODO 6K means sacrificing the FX6's full-frame low-light sensitivity and its invaluable 2-7 stop variable ND. Opting for the Sony FX6 means giving up the KOMODO's global shutter and the superior post-production flexibility of REDCODE RAW.

Best for…

VFX / High-speed action

RED KOMODO 6K

global shutter eliminates motion artifacts and skew

Documentary / Run-and-gun

Sony FX6

full-frame low light, variable ND, and reliable AF

Narrative / Controlled sets

RED KOMODO 6K

REDCODE RAW and 16 stops DR for grading

Event / Corporate

Sony FX6

excellent low light, variable ND, and robust audio inputs

Gimbal / Drone

RED KOMODO 6K

compact 102x102x102mm cube form factor

What to pair it with

Updated 3/6/2026