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Camera faceoff

KOMODO 6K vs FX3

RED · Sony

Specs at a glance

Spec
FX3
Category
cinema
cinema
Sensor
Super35 CMOS
Full-Frame CMOS
Sensor Size
27.03 x 14.26 mm
35.6 x 23.8 mm
Megapixels
19.9
Mount
Canon RF
Max Resolution
6K (6144x3240)
Max Frame Rate
120fps @ 1080p
Codec
ProRes
Dynamic Range
16 Stops
ISO Range
ISO 250–12800
ISO 80–409600
ND Filter
No
Stabilization
Electronic Image Stabilization (EIS)
Sensor-Shift, 5-Axis
Autofocus
Phase-detect autofocus
Phase-detect, 627 points
Log / Gamma
DCI-P3, Rec709, Rec2020, REDWideGamutRGB
HDR-HLG, S Cinetone, Sony S-Log 2, Sony S-Log 3, Standard
Battery
Canon BP-9 Series
Weight
1000g
640g
MSRP
$5,995
$3,899

Summary

Choose the RED Komodo 6K for narrative and VFX work where its global shutter and REDCODE RAW are paramount. Opt for the Sony FX3 for agile run-and-gun productions demanding reliable autofocus, in-body image stabilization, and superior low-light performance.

Which would you pick?

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Highlights

KOMODO 6K

  • Sensor & Image Science: Global Shutter eliminates rolling shutter artifacts, 16.5+ stops dynamic range, REDWideGamutRGB color science.
  • Codecs & Formats: Internal REDCODE RAW and Apple ProRes recording.
  • I/O & Connectivity: SDI output, Genlock, and Timecode for multi-camera setups.
  • Rigging & Ergonomics: Compact cube form factor ideal for drones and gimbals.

FX3

  • Sensor & Image Science: Full-Frame sensor with excellent low-light performance (ISO 80-409600) and S-Cinetone color.
  • Codecs & Formats: Internal 10-bit 4:2:2 recording (XAVC S-I) and external ProRes RAW via HDMI.
  • I/O & Connectivity: Full-size HDMI and Multi Interface Shoe with included XLR handle for professional audio.
  • Rigging & Ergonomics: 5-axis in-body image stabilization (IBIS) and active cooling for unlimited recording.
  • Tools & Usability: Industry-leading continuous autofocus for tracking subjects.

The trade-off

Choosing the RED Komodo 6K means giving up in-body image stabilization and reliable continuous autofocus. Choosing the Sony FX3 means giving up a global shutter and internal RAW recording.

Best for…

VFX / Fast Action

RED Komodo 6K

global shutter eliminates motion artifacts

Narrative / Controlled Sets

RED Komodo 6K

REDCODE RAW and 16.5+ stops dynamic range

Documentary / Run-and-Gun

Sony FX3

reliable AF and IBIS in unpredictable conditions

Low-Light Environments

Sony FX3

full-frame sensor and high native ISO range

Gimbal / Handheld Work

Sony FX3

5-axis IBIS and continuous autofocus

What to pair it with

Updated 2/26/2026