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Camera faceoff

EOS C300 Mark III vs KOMODO 6K

Canon · RED

Specs at a glance

Category
cinema
cinema
Sensor
Super35 CMOS
Super35 CMOS
Sensor Size
26.2 x 13.8 mm
27.03 x 14.26 mm
Megapixels
8.85
19.9
Mount
Canon EF
Canon RF
Max Resolution
4K DCI (4096x2160)
6K (6144x3240)
Max Frame Rate
120 fps (4K), 180 fps (2K)
120fps @ 1080p
Codec
Cinema RAW Light, XF-AVC
ProRes
Dynamic Range
16 Stops
16 Stops
ISO Range
ISO 2–102400
ISO 250–12800
ND Filter
2–10 stop (5-position wheel)
No
Stabilization
Electronic Image Stabilization
Electronic Image Stabilization (EIS)
Autofocus
Dual Pixel CMOS AF
Phase-detect autofocus
Log / Gamma
Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Rec709, Wide DR
DCI-P3, Rec709, Rec2020, REDWideGamutRGB
Battery
Canon BP-A Series
Canon BP-9 Series
Weight
1750g
1000g
MSRP
$10,999
$5,995

Summary

For productions demanding reliability, integrated features, and superior autofocus, the Canon C300 Mark III is the clear choice, leveraging its DGO sensor and built-in motorized NDs. If a global shutter, higher resolution REDCODE RAW, and a compact form factor are paramount, especially on a tighter budget, the RED KOMODO 6K delivers immense value.

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Highlights

EOS C300 Mark III

  • Image Quality: Super 35mm DGO sensor delivers 16+ stops of dynamic range with exceptional low-light performance.
  • Workflow Integration: Built-in motorized ND filters (2-10 stops) streamline exposure control on set.
  • Autofocus: Industry-leading Dual Pixel CMOS AF provides reliable and accurate subject tracking.
  • Professional I/O: Comprehensive audio (2x XLR) and video (2x 3G-SDI) ports for robust production environments.
  • Frame Rates: Achieves 4K up to 120 fps and 2K up to 180 fps for versatile slow-motion capture.

KOMODO 6K

  • Sensor Technology: Super35 Global Shutter CMOS eliminates rolling shutter artifacts, ideal for fast action and VFX.
  • Resolution & Codec: Captures stunning 6K REDCODE RAW and Apple ProRes, offering superior post-production flexibility.
  • Form Factor: Incredibly compact and lightweight (1040g) cube design for versatile rigging and drone work.
  • Cost-Effectiveness: Offers high-end RED image quality and workflow at a significantly lower MSRP of $5,995.
  • Dynamic Range: Boasts 16.5+ stops of dynamic range, providing excellent highlight and shadow retention.

The trade-off

Choosing the C300 Mark III means giving up the KOMODO's global shutter and 6K REDCODE RAW resolution. Choosing the KOMODO 6K means giving up built-in motorized ND filters and the C300 Mark III's integrated professional audio I/O.

Best for…

Documentary / Run-and-Gun

EOS C300 Mark III

built-in NDs, DPAF, and robust I/O for fast-paced shoots.

Narrative / VFX-heavy

KOMODO 6K

global shutter eliminates rolling shutter, 6K REDCODE RAW for post.

Corporate / Event

EOS C300 Mark III

reliable AF, long record times, and integrated features simplify production.

Gimbal / Drone

KOMODO 6K

incredibly compact and lightweight form factor for aerial or stabilized setups.

Budget-Conscious Cinema

KOMODO 6K

delivers RED image quality and RAW at a significantly lower entry price.

What to pair it with

Updated 3/4/2026